This band used to be dangerous
3 Out Of 5 Stars
In reviewing the first two albums by Semi-Precious Weapons, "We Love You" and "You Love You," I made a comment along of the lines that this was a band that could scare church ladies. With a flamboyantly glam approach and lead weapon Justin Tranter, SPW dropped guitar firecrackers of gleefully tasteless rock that seemingly came from a collision with AC/DC and T.Rex. There was little else out there that sounded remotely like it, and I was hooked.
The SPW band that made those two albums is virtually unrecognizable from the one that delivered "Aviation." Instead of having producer Tony Visconti (David Bowie, T.Rex) man the boards, this time they have producer "Tricky," whose best known client is Beyonce. They've gone from "Rebel Rebel" to "Single Ladies." They've gone from opening for Lady Gaga's concerts to actively courting Gaga's consumers. Bye bye, crunchalicious guitar chords, hello throbbing synths and drum machines. It's not a pretty transition.
There are a few songs that keep the winking wit of before in place, like "Cherries On Ice" and "Vegas," where Tranter wails "it's time to go to Vegas...and forget about you." In fact, if it weren't for Tranter's charisma, "Aviation" would just be another run of the mill synth-heavy pop album. They aren't dangerous anymore. They want your attention, and they were willing to go to that fork in the road that asked them if they'd try a third album of the music that wasn't getting anywhere commercially and see if the third time was the charm, or take that fork towards a more mainstream sound. If it's really the record they wanted to make, great (After all, I still bought it). But nothing here comes close to the fury of "Magnetic Baby" or "Leave Your Pretty to Me's" pleas for acceptance. Blandness was the last thing I expected from this bunch and "Aviation" just that. Bland.
4 Out Of 5 Stars
I have to give Lady Gaga massive amounts of credit; she's found a formula that thousands before her have used, bent it to her own personality, soaked it with a love of the theatrical, and best of all, made it all sound fun. In one album and this mini-lp, she has become the biggest female icon since Madonna. Even better, she's stood up for her fans (her impassioned work to end don't ask don't tell) and used her newfound fame for more than the accumulation of dough.
So what's left to say? if you listen to the radio or goof off with YouTube, you've already heard/seen most of the album. If you liked "Bad Romance" or the mini-movie that is "Telephone," you're likely going to dig the music. For me, the interesting thing is the range Lady Gaga has on display here. "Speechless" is an old-fashioned torch song, and "Teeth" is the kind of devious sex song Madonna would have killed for in her heyday.
There is a part of me that hopes Lady Gaga evolves away from the already dated production of these original recordings. My fantasy is that she and her pals in glam/trash rocker band Semi-Precious Weapons do a project together. But as long as she keeps her sense of style and determination to remain a non-conformist, "The Fame Monster" sounds like it's only the beginning of the World of Gaga.
4 Out of 5 Stars
The second album (and major label debut) of Semi Precious Weapons lives up to their outrageous reputation. As someone who long back bought the original "We Love You" CD on indie Razor and Tie, the main difference between the two albums is bigger and meatier production. The calculated Eff-You attitude is still there in gallons of glitz, and charismatic lead sinner/singer gay/ambisexual Justin Tranter wails away like a cross between David Bowie and Bon Scott.
"Girl, go ahead and drink, cuz I can only be so many things. But when you leave, please leave your pretty to me," Tranter moans on the album's most epic cut, the ballad "Leave Your Pretty to Me." This is a band that knows that fans make bands onto the images that they want to see (posters, magazines, etc), and SPW exploit that fact like few have since Alice Cooper. They also understand that for many guitar wielding misfits, being a big star might be the only way out ("Rock and Roll Never Looked So Beautiful"). Then they set up "I Could Die," a glorious racket that sounds like David Bowie conjured up a New York Dolls glam bomb and dropped it on AC/DC's "Highway to Hell." Don't leave out the non-subtle innuendo of "Sticky With Champagne's" 'she don't swallow top shelf, she spits it out all over herself, sticky! sticky! Sticky!'
This is an album that scares church ladies. And get this; the band met while they were students at Boston's Berklee School of Music. That's right, the same prestigious home of noteworthy grads like Paula Cole, Bruce Cockburn, Gary Burton, Al DiMeola, Pat Methany and most of Aerosmith gave us an album whose first line is "I can't pay my rent but I'm F---ing gorgeous." Lady Gaga, no stranger to outrageous herself, is friends of the band and took them on tour as her opening act (she helped them secure their deal and is the executive producer, along with glam-godfather Tony Visconti). That's all why "You Love You" could be the most important CD you listen to this year. Tired of conformist pap and posing hipsters passing themselves off as dangerous? Then bring on Semi-Precious Weapons.
PS: Minor quibble. Three songs - "Magnetic Baby," "Semi Precious Weapons" and "Rock and Roll Never Locked So Beautiful" - are re-recordings of songs from "We Love You" and "Put A Diamond In It" shows up twice. Four of ten songs are retreads, and that is troubling. Of course if you missed "We Love You," then this is no problem at all.
Writer's Block: Best song of the year
Dec. 11th, 2010 01:06 pm[Error: unknown template qotd]
Multiples for me:
Mumford and Sons - "Little Lion Man"
Scissor Sisters - "Night Work"
Semi Precious Weapons - "Magnetic baby"
My Chemical Romance - "Na Na Na"
Gaslight Anthem - "American Slang"
Devo - "Mind Games"
Gogol Bordello - "My Companjera"
James Lee Stanley - "Backstage at The Resurrection"
Elvis Costello - "National Ransom"
Ray LaMontagne - "Repo Man"
Multiples for me:
Mumford and Sons - "Little Lion Man"
Scissor Sisters - "Night Work"
Semi Precious Weapons - "Magnetic baby"
My Chemical Romance - "Na Na Na"
Gaslight Anthem - "American Slang"
Devo - "Mind Games"
Gogol Bordello - "My Companjera"
James Lee Stanley - "Backstage at The Resurrection"
Elvis Costello - "National Ransom"
Ray LaMontagne - "Repo Man"