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Could this be the magic?
4 Out Of 5 Stars


Continuing their Roxy Music art dance meets Elton John Piano pop, "Magic Hour" is the Scissor Sisters at their best. As they keep searching for an American Audience and switch to the Casablanca Records banner (home to the best of 70's dance music, take that as a clue), Jake, BabyDaddy, Del and Anna are still looking for love at all the best parties.

There's plenty here to tape your feet to; from the silly bonus track "Eff Yeah!" to the pulsing "Keep Your Shoes On," the Sisters are playing to their strengths. After all, not every band could take a phone message about a crappy night on the NYC club scene and mix it into a party anthem ("Let's Have a Kiki"). They also allow the mood to be serious, as on the heartbreak story of "Inevitable" or the frothy "San Luis Obispo." There are those who might think that the band is not changing much from their other albums; I say Scissor Sisters have a sound. For me, it's well worth the continuing interest in the band.



     

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Multiples for me:

Mumford and Sons - "Little Lion Man"
Scissor Sisters - "Night Work"
Semi Precious Weapons - "Magnetic baby"
My Chemical Romance - "Na Na Na"
Gaslight Anthem - "American Slang"
Devo - "Mind Games"
Gogol Bordello - "My Companjera"
James Lee Stanley - "Backstage at The Resurrection"
Elvis Costello - "National Ransom"
Ray LaMontagne - "Repo Man"
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Night WorkThird Shift
4 Out of 5 Stars

The Scissor Sisters' third album, "Night Work," is their most derivative album to date. It's also their most cohesive album to date. They want to party like it's 1985. They want you to stop looking back in anger. They really, really want you to dance.

"Night Work" grabs you by the arm and throws you into a sweaty, pulsing old school disco. If it was any more retro, they could have put a Casablanca Records label on it. And it's finally the a;bum where they do their idols proud. Listen closely and you'll catch Kraftwerk, The Pet Shop Boys, Frankie Goes To Hollywood, Michael Jackson's "Thriller," a whole bunch of Elton and Giorgio Moroder. As such, it's a total blast from start to stop.

The Scissor Sisters haven't even just copies the obvious. "Harder You Get" mimics the oddball gay classic "Walk The Night" from The Skatt Brothers (there's a Casablanca reference again) in its sinister, slinky kinkiness. "Something Like This" knicks "Radioactivity" from Kraftwerk. Then Sir Ian McKellen goes all Vincent Price on us at the end of "Invisible Light" and does a "Thriller" rap on top of a song that splits the difference between Frankie Goes the The Pet Shop.

Yet there's one moment where Jake Shears transcends the mirror ball and gets higher than he has on any prior SS Song. "Fire With Fire," a power ballad about survival, tosses aside all the kitsch and camp and aims for the stars. It's pure emotion, song from the heart, and nails the core of what "Night Work" is about; the lost generation the Jake Shears fantasized about if The Lost AIDs generation was still with us. It's the most realistic song they've made to date, and adds another notch to an album that will probably end up in my top five favorites of 2010. 

 
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