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Crashing the Starship
1 Out Of 5 Stars

I don't know which makes me feel worse; that Jeff Lynne decided he needed to do note-for-note recreations of some of ELO's best known songs or that I was sucker enough to drop my hard earned cash on this doggy-doo. I first heard that Lynne wanted to make "Mr Blue Sky" because he wanted to make the songs sound like they did in his head, and with modern technology. OKAY, I'm intrigued. My imagination gets an expectation that maybe Lynne's going to revisit these songs and do some major overhauls, like different orchestrations of arrangements. Silly me.

Like Kiss, Foreigner, Journey and a handful of other classic rock bands, Lynne pulls a George Lucas on us and decides the real thing would be so much cooler if he just made them a second time, without any help from the rest of those pesky original Electric Light Orchestra bandmates. Which should give everyone a terrific lesson in what is commonly referred to as "Band Chemistry." As technically proficient as he is, and as much as he was the driving force behind ELO's multiple line-ups (except for the awful ELO II from the late 80's/early 90's), he alone does not an ELO make.

So you end up with some various minor changes, like the much dryer version of "Do Ya" or the less disco-fied version of "Turning to Stone." For the most part though, this is like chocolate pudding when you could have chocolate mousse. They have some similarities, but they just aren't the same thing. Jeff Lynne has every right in the world to remake his own songs in whatever format he desires. I also have the right to call them doody. Don't make the same mistake I did. Stick to your copies of All Over the World: The Very Best of Electric Light Orchestra (Original Recording Remastered). Key word here? Original.


    


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Too Close for Comfort
2 Out Of 5 Stars

Let's not mince words here. Kris Kristofferson's voice is shot. 'Closer To The Bone" still exhibits his ace songwriting chops and Don Was produced it as stripped down as possible, but you can't escape the fact that Kris' voice has lost its range, enunciation and - sadly - the gruff, whiskey soaked potency of his golden years. I'd love to hear someone pluck the better songs (the title track, "Let The Walls Come Down," "Love Don't Live Here Anymore") and cover them with the melody intact from how they were intended. The songwriting is what keeps "Closer to The Bone" from dipping below two stars.

However, not every elder statesman gets to do what Johnny Cash managed to do (or even Glen Campbell). This album just makes me more sad than anything else, because the man who wrote "Me and Bobby McGee" and sang "Sunday Morning Coming Down" should be left with his legend intact. "Closer to The Bone" diminishes a major, historic talent. Were this anyone but Kris Kristofferson, I have a feeling the ecstatic 5 star reviews on Amazon wouldn't be so glowing.



     

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This Moon is Made Of Cheese
2 Out of 5 Stars

"Apollo 18" takes the 'found footage' horror methodology (think "Blair Witch" or "Paranormal Activity") and takes it off world. You thought Apollo 17 was our last lunar mission? You think the Russians never landed on the moon? Got news for you conspiracy minded types out there; neither of these is true. Sent up under the guise of a National Security/Department of Defense kind of Top Secret mission, our three astronauts board the Liberty and Freedom vehicles for one more investigation of what's really up there. It ain't the Sea of Tranquility, that's for sure.

Before you know it, something is making creepy noises outside the Lunar Module. Samples are suddenly not where the explorers originally left them. And them dastardly things ripped up the USA flag! Not only are these critters scary, they're downright UnAmerican! Then again, they weren't too nice to the Ruskie that landed there before Apollo 18, and the unlucky astronauts realize that their government may not have told them everything about their journey or its intended mission. The handheld cameras soon begin jerking and spinning, the automatic cameras are going static, and the humans just might be losing their minds.

"Apollo 18" mixes just enough "now-you-see-it" spookiness to add some real scare jolts, but mostly, it's dopey space B-Movie fun. The Metal Munching Moon Mice from the old Bullwinkle cartoons were about as believable as the space bug monsters wreaking havoc on our helpless heroes, and some of the effects are laughably bad. There's plenty of stock footage in use to help make the original bits work chronologically, however, as a horror movie is concerned, the green cheese that is "Apollo 18"? It certainly isn't rocket science.




   




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Splice
Splice B Movies With Big Budgets

3 Out of 5 Stars

This movie is such a super-collided atomic mess that it us hard to rate "Splice" with just a single star for how endearingly awful it is; and for that reason, it's almost tempting to give it five stars for being such a stunning screw-up. Obviously, someone had high-hopes for "Splice;" by casting Oscar winner Adrian Brody and handing it to up and coming director Vincenzo Natali (best known for cult science-fiction classic "The Cube"), "Splice" had a high concept and old fashioned B-Movie science fiction plot going for it. Brody and co-star Sarah Polley are the scientists who decide to ignore all the rules and go against those stuffy conventions that they get the scientific breakthrough they wanted. The bad news is: they get the scientific breakthrough they wanted.

Yes, that's right. These ever so hip scientists (Brody wanders the lab with ironic t-shirts, there's Anime artwork in the couple's apartment) are genius DNA specialists that somehow match human DNA with amphibians, scorpions, birds and who knows what else to create Dren, which happens to be Nerd spelled backward. Like most science fiction monsters, Dren grows at a ridiculously fast pace, has super-human intelligence, childlike behavior and not much by way of moral turpitude. Of course, Brody and Polley soon lose all scientific objectivity regarding Dren and fall in love with their little monster, and that's when things go horribly wrong.

While this might seem like boiler-plate science-fiction, "Splice" may be the first hipster Science Fiction movie. The best sci-fi/suspense/horror works when your monster somehow is an allegory for whatever the zeitgeist of the world is at the moment. "Splice" works that angle in that "Dren" begs us to consider what nasty creatures we may create if we start messing with Mother Nature, but soon starts going for new levels of irony. Before you know it, "Splice" is whipping questions of gender identity, circumcision, lust, love, parenting, rape and finally, the usual evil corporation profit mongers. With ever upping of the ante, as a viewer, you're left to wonder "did they really just go there?" The answer is yes, and the film just keeps on going. The final third of the movie is such a mess that you feel like you're watching the train wreck. It's not wretchedly bad (for that, you need "Alien Vs Predator" or "Battlefield Earth"), but "Splice" - which borrows so much from the likes of "Species," "Alien," "Prophecy" and even "Rosemary's Baby" that you may feel a bit of deja vu - will still leave you stunned.




 Species (Collector's Edition) Aliens (Two-Disc Collector's Edition) The Prophecy Battlefield Earth AVP - Alien Vs. Predator (Widescreen Edition)
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Glee: The Music, The Rocky Horror Glee ShowThrow A Slushy On It
2 Out of 5 Stars

The first major disappointment in the Glee Cast CD series, for some reason they decided that "Rocky Horror" needed to be sanitized. For some reason, the suits at Columbia and/or Fox didn't like the word "Transsexual" in "Sweet Transvestite," so now Frankenfurter comes from "sensational Transylvania." Huh? And instead of playing it close to the vest, the normally stellar Amber Riley over-sings it, painfully.

Then, in "Toucha Touch Me," Jayma Mays is apparently to prim to be allowed to sing the phrase "heavy petting," so that lyric gets altered. For a show that is all about the pratfalls and pitfalls of high school, that expression is too much? Please.

At least the autotune is gone. They also had the good sense to not try and match Tim Curry's Frankenfurter performance. On the flipside of the coin, Chris Colfer totally nails Riff in "Time Warp," saving this EP from total disaster. I am hoping that maybe Glee's broadcast of the Rocky Horror episode will perhaps lead to a revival of interest in the original show, but this sanitized version is a dud.




The Rocky Horror Picture Show (25th Anniversary Edition) Glee: The Complete First Season Glee: The Music, Volume 1 Glee: The Music, Volume 2 Glee: The Music, Volume 3 Showstoppers (Deluxe)
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"Where in the Constitution is separation of church and state?" O'Donnell asked.(go to 7:03, 2:37, 3:35... My god, this woman is dumb.
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NYT Morning Headline:
Move to End 'Don't Ask, Don't Tell' Stalls in Senate

Because it seems that, according to Rebublicans, the only thing more of a threat to our nation than Islamic Jihadi Terrorists are openly gay US servicemen.
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Jonah HexJonah Wrecks
2 Out of 5 Stars

A total waste of two great acting talents, Josh Brolin and John Malkovich, Jonah Hex gets mired in an awkward mess of a script, CGI over-dependence and a plot that feels more like an episode of The X-Files meets Wild Wild West than "Revenge Gets Ugly," the movie's tag line.

When Dr Loveless...I mean Quentin Turnbull (Malkovich) decides he wants to find the "Nation Killer" weapon to nuke President Grant in some sort of Confederate Resurrection plot, the man Turnbull tortured and forced to watch the murder of his wife and child, Confederate Soldier Hex (Brolin) is lured out of 'retirement' to track his old nemesis down. However, Hex has an extra talent via the Crow Indians who brought him most of the way back from the dead; he can talk to corpses once he touches them. If Hex can stop the plot, he will be a free man and forgiven his Confederate and murderous bounty hunter sins. So, OK, a pretty good premise.

But the movie is paced so choppily that its very tough to follow. Both Hex and Turnbull are played in a dry and droll manner, leaving Michael Fassbender to pick up the slack as the sole character to show any sparks. There are some interesting cast members here (Aidan Quinn as President Grant, and both Will Arnett and Tom Wopat are involved), but again, the convoluted script leaves little room for characther development. Megan Fox is here, playing a monochromatic prostitute with a soft spot for Hex. After watching this stillborn mess of a movie, she's probably the only one left who does.

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2012It's the end of the world as we know it, and they feel fine
2 out of 5 Stars


2012 is a movie where all the heroes escape by the thinnest of plots...margins. It's the old fashioned disaster movie where a handful of actors dodge impossible odds and impending doom that always seems to be just a wee bit slower than the plane/car/small dog racing in front of the collapsing ground/raging fireball/crushing metal machinery. It's B-Movie dumb with 21'st century technology. It will kill off 2 and a half hours of your afternoon and few brain cells in the process.

Director Roland Emmerich obviously learned a lesson from the wretchedly awful 10,000 BC (I joked that the BC then stood for Bad Cinema), where wafer thin plots better have a lot of things going ka-boom if the audience is going to plop down ticket money. This time, at almost every turn, you get a gloriously apocalyptic slice o'disaster. Be it the raining of molten fireballs on Jellystone park or the collapse of California into the Pacific, the effects are incredible. 2012 is the best disaster porn since "Titanic," and you don't have to wade through all those stuffy period dresses. Or, for that matter, the emotional baggage of millions of people dying before your very eyes.

Really, if you had just watched a city of millions get washed off the globe, would you react with giggles and jokes? Because no-one here seems to be all that disturbed that major chunks of the populous have been wiped out. Hardly anyone seems to be capable of shedding tears, save for the President's daughter and the scientific superbrain. With the exception of John Cusak and Woody Harrelson, all the actors here are interchangeable, mere props set against the gloriously delicious mayhem that does keep you on the edge of your seat throughout 2012.

So ignore the implausibility of it all and the sarcastic 2012 political subtext (only politicians and the wealthy will be worth having around post-apocalypse), and thrill to the destruction of the White House by battleship bearing tsunami. It's lights, camera, faultline!
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The Weather Forecasters in our area are predicting a major storm to start in our area late Wednesday night, with snow all through Thursday and maybe into Friday. Winds could peak at 50 MPH, and snow may accumulate up to 18 inches. Given that we have already had 70 plus inches this winter, we could top 80 inches with this new precipitation mess.

 

Florida and California are looking awfully seductive right now. 
blackleatherbookshelf: (Angry bear)

Shooting Parody in a Barrel
1 Out of 5 Stars

Wow, Leslie Nielsen and Keenan Thompson, fire your agents. Writer/director Bo Zenga, retire. Everyone else involved in this, hang your head. Stan Helsing is a spoof that can't take an easy target (monster movies and characters that have been around long enough to be self-parodies) and make even a mildly funny movie. I got only one mild chuckle in the whole 90 minutes of this film, and it involved a kids' hockey team. The rest of "Stan Helsing" is a wretchedly unfunny movie that misses almost every pitch it makes. Top it off with a bad Michael Jackson joke and an inexplicable "appearance" by Barack Obama and you start to wonder how this DVD got past the discussion stage. Plenty of aimless, mean-spirited sex jokes, a nasty homophobic streak, lack of developed ideas...and the only monster that stoner/video store clerk Stan Helsing should have killed off was this script.
 
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This is pretty long, but it's freaking hilarious...if you're not crying in pain.

http://www.mrdestructo.com/2009/09/white-americas-inconvenience-tantrum.html

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I am sitting here, stunned. Michael jackson, a mere year older than me, died this afternoon. While I would not count myself as a fanatic, I was always in awe at the man's immense talents. When I was a kid, one of my first 45's was "ABC." When I graduated from college, the first Top 40 stations I worked for was one of those "Hot Hits" stations that would repeat the top ten in about a three hour period. WQBQ started in 1982, and the Top Ten included "Billie Jean" and "Beat It," with the recurrents including "The Girl Is Mine" and others. It was likely that you'd hear 2 or more Michael Jackson songs an hour. Yet the public seemed to not tire of them, and "Thriller" remains one of the largest selling albums in history. I still have the CD in my collection, an album that has been in my music probably two or three times. And when I worked as a club DJ in Dover, Delaware, the albums "Thriller" and  "Bad" still made people dance.

While his public antics, trials and health issues had long overshadowed his recorded work, I can't begin to estimate what Michael Jackson did to influence music and pop culture. I can still vividly remember watching an elementry school band slog their way through the usual marching band stuff and pop oldies that every young kid has to play, but then the band leader made an announcement that the kids had a special song that they wanted to play. A steady drumbeat began and dozens of little feet began to ecstatically tap and play "Billie Jean." Despite the somewhat studious nature of their playing prior to this, you could see their faces light up as they leaned into their instruments and put all their hearts into playing this, the coolest of songs for these kids to be playing. For these elementary school kids, Jackson was their gateway into loving music.

Michael Jackson may have been overwhlmed by the court cases and the plastic surgeries, but for me it is those kids in the school band that will be my measure of what Jackson accomplished. It will be the night I watched him doing the moonwalk on TV for the first time. It will be the fans who rallied to the Sunset Blvd Tower Records to see the "HisStory" statue when the box set was released. And even if he spoonfed and obligated newspapers to call him "The King Of Pop," he managed to make himself into the stuff of his dreams.

Had hers been the only celebrety passing today, Farrah Fawcett would still have been newsworthy, But add Michael Jackson's sudden death, and Farrah was almost overshadowed. Yet it is hard for me not to notice, because as a gay man not yet out of his teens, the infamous "Farrah" poster was one of only two women to be pinned on my teenaged wall. (The other was Linda Rondstat.) And while news reports had been making us aware that her battle with cancer was on the brink of taking her from us, the announcement of her passing still felt like a tug at the heart. I always have an issue with people who discribe a battle with Cancer as "Couragous," as cancer is an illness and not a challenge you choose. You would never consider describing anyone with cancer as "cowardly." Her fight with her Cancer was one she took on with dignity and determination. She looked at what she was doing as an opportunity to show women what dealing with cancer was, realistically. It was honest, it was heartbreaking. What she did in 1976 was charm us as a glamourius Charlie's Angel. What she did in 2009 was win us with her warmth and honesty, even if her 'glamour' had long passed, but her charm never went away.

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