blackleatherbookshelf: (Flames)
It's Time To Shine
4 Out Of 5 Stars

I have long had a gal-crush on Sara Hickman. Ever since seeing her on tour for her first album, "Equal Scary People," I've been a happy fan and have the opportunity to see her play several more times. Every time I think she can't keep getting better, her albums appear and keep surprising me. "Shine" comes to us with a distinct pop sheen and 10 new songs that are thoroughly enjoyable and lots of fun.

I am particularly fond of "Trouble With Boxes," in which Sara tries to understand how multidimensional people always seem to forced by misunderstanding folks try to fit you into one convenient place. As a performer who is also a philanthropist, teacher and has recorded several successful children's albums, it's obviously a somewhat personal song for her. Yet the theme is universal. No-one wants to be labeled, and that's the message. There's also the jaunty "Primitive Stuff" that asks you to hang in there when the times get tough.

The CD's first single, "Selfish Freak," is a funny look at the ex you just want to go away, then there's the flip side, the salacious and wild "My Cocky Friend."

"Don't give me lip
Let me run this.
Just get me stripped, boy
Just get me serviced
...I want to get it on."

Pretty straightforward stuff. A bit more playful is "Tasty Sweet," where the man of Sara's desires is like "sugar covered peaches, chocolate treats." Things aren't always fun and games, as the lovely ballad "You are Not Alone" and the somber "Two Winters At The Bottom" stay on the serious side. But never fear, the title track at the end of the album ends things on a happy, optimistic note. These are the kind of songs that help you understand how Sara could be named "Official State Musician of Texas" in 2010, an honor she shares with the likes of Willie Nelson (who has covered Sara's beautiful "Simply") and Lyle Lovett. "Shine" is yet another reason to give a listen to her many talents.


   
blackleatherbookshelf: (Flames)
Everything's Bigger in Texas,
3 Out Of 5 Stars


Led by the belting voice of Sharleen Spiteri, this Scottish foursome took their love of Ry Cooder (they took their name from their love of Cooder's "Paris, Texas" soundtrack) western style guitar and a penchant for writing big, bold songs, and made "Southside" the closest album they had to an American success. I saw them in 1990 at Philadelphia's legendary Trocadero and became an instant fan. (Sharleen even signed my CD.) One listen to the enigmatic "I Don't Want a Lover" and you'll wonder why these folks couldn't break it big. They were huge in Europe, enough so that you can find a full greatest hits CD.

"Southide" has several good tracks on it, like "Tell Me Why" and "Faith." Imagine the Cowboy Jinkies trying to mate with Simple Minds or U2, and you'll get a feel for what Texas was trying to accomplish. But it was the guitar of Ally McErlaine that help set Texas apart from most other bands (listen to the way he slides his notes on the instrumental title track). Or perhaps the mock-Edge guitar introduction to "Fool For Love." "Southside" may not be a great album, but it does show that Texas deserved better than their American obscurity.


   




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blackleatherbookshelf: (Santa Brough)
Can't buy me love
3 Out Of 5 Stars 

The second and best album from Texans Fastball was a clever mix of witty pop with shades of the Kinks and Elvis Costello. As exemplified by the hit, "The Way," they blended sunny melodies with somber themes (the suicide of a senior couple) to a terrific effect. I've always been a sucker for this kind of guitar based pop, and "All The Pain Money Can Buy" is no exception.

Guitarist/vocalist Miles Zuniga, bassist/vocalist Tony Scalzo share lead vocals throughout, helping sustain the variety of the album. (Plus there's the groovy "Which Way to The Top," featuring female singer Poe.) "Out Of My Head" has a cool organ to its credit (and was also a modest hit), while "Good Old Days" has a riffing horn section. But the band was good at throwing curveballs, like the darker "Charlie The Methadone Man," glamorizing the pimped out dealer who is on a loser's course. I loved the dichotomy of the band's work at the time, and still have a soft spot for "All The Pain Money Can Buy." Nothing groundbreaking, but good stuff.


     
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erstexman's birthday is on July 19!
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Puppy Love
5 Out of 5 Stars

Denis is having a rotten week. He just lost his job of 11 years. His relationship is gone stale, and rocky. His Mother, a sweet and overbearing woman, is seriously ill. With all the turmoil going on around him, what does Mom suggest? "Get a dog." But when Dennis goes to the pound and can't decide which dog he wants, the one he finally chooses is gone when he goes back. When he finds out why, Dennis decides exactly what his modern mid-life crisis needs.

He makes his "Abrupt Decision" (the fifth feature from filmmaker Paul Bright) when he realizes that his creative collapse mirrors that of the dogs' dangerous lives. With some inspiration from his Mom (Cynthia Schiebel) and the reluctant support of his partner, Milosz (David LaDuca), Denis (Steve Callahan) decides that saving the lives of animals and educating people on their care is his way into a meaningful second act. You know how the saying goes, if you don't want to be upstaged in a movie, stay away from children and dogs? Despite the superb job by Steve and David, the pups are "Abrupt Decision's" scene stealers. But beware. Even with the cute pooches running amuck, this is a very emotionally striking movie.





In the new economy, where men like Denis can find their lives upended and discover that your expertise vaporized after 50 (along with a funny montage of a degenerating series of interviews -  featuring me), there are many among us who will relate to the impact of "Abrupt Decision's" story. As Denis struggles to find the right decisions in matters of utmost importance, you may put down the doggy treats and reach for the hankies. I'll certainly say that the film is a must-see for pet-lovers, but it also carries an intimate, personal life story.

     




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Meet Us at The Horseshoe Lounge
4 Out Of 5 Stars

I've composed several Amazon reviews for Slaid Cleaves' assortment of albums, even laying a couple of five star excellent ratings on his work. But this album exposes the way I discovered him originally; in an intimate setting surrounded by fans as the man told stories and laid down some incredible songs. I've seen Slaid both with band and as a solo performer, and he never fails to leave an impression. Here, he's in a hometown crowd with guests and associates playing along.

You'll hear tales of characters that inspired songs, jokes about his travels, but most importantly, that honey of a voice giving form to the people Slaid sings and writes about. He can go from goofy and fun ("Drinking Days") to broken relationships ("Broke Down") to folk-storyteller ("Breakfast In Hell") without missing a beat or sounding inauthentic. And like all good folkies, he has an arsenal of political protest tunes. The best of them ("Hard To Believe," originally on the perfectly done "Everything You Love Will Be Taken Away") or the fallen soldier's family in "Green Mountains and Me," pierce instead of punch.

Slaid is one of the best of the Austin Americana crowd. He's built a reputation as a must see artist over a couple decades of touring and recording. "Live At The Horseshoe Lounge" is not only the live compilation fans have long waited for, it's the perfect introduction to an artist making must hear music.



   
blackleatherbookshelf: (Default)
When I See You Down, I Wanna Pick You Up
4 Out Of 5 Stars


Regular readers of my reviews or blog probably already know that Sara Hickman is not only one of my favorite singer songwriters, but someone I feel is also a friend and an inspiration. I've seen her perform multiple times, she even thanked me on her second album. Naturally, I'm predisposed to just about anything she gets together. "The Best of Times," an all-star Texas Tribute to her songs and a charity project for the Theater Action Project (a Texas educational charity for children in the performing arts), was something I just had to have. It's even better than I expected.

While the album is a double disc mash-up of styles and artists, Sara's immense skill as a writer now can be seem as something that crosses all styles. Several of the musicians/performers are ones you'll recognize if you're not necessarily a follower of all things Lone Star, like Shawn Colvin, Edie Brickell and the New Bohemians, Darden Smith, Brave Combo or Charlie Sexton, and some that deserve more, like the soulful treatment Ray Von Foster gives to "Give It Every Little Thing You've Got" and the same with LZ Love's version of "I Couldn't Help Myself" (which may have been Sara's closest thing to a hit.

I'll admit to my personal favorites at this point, which are Edie Brickell's version of "Shadowboxing," The Flatlanders' "Comfort's Sigh," "Under The Sycamore Tree" by Robert Earl Keen and the title song jointly performed by Trish Murphy and Charlie Sexton. But no matter how hard anyone tries, they all have to stand aside to Willie Nelson. Willie takes what has always been my absolute favorite Sara love song, "Simply," and turns it into classic Willie. If there was justice to be had in this world, his new version of "Simply" would be topping the country charts, giving Willie a third, fourth or maybe fifth career resurrection, and make "Simply" the wedding standard it has always deserved to be. Yes, Willie's version really is that magnificent.

In my estimation, so is Sara. This album came about because Sara was named "State Musician of Texas," an honor previously bestowed on the likes of Willie and Lyle Lovett. She is using her time with this title to help raise awareness of the need for arts in the Texas educational system, and 100% of the proceeds of this album are going to the aforementioned TAP charity. It's all star music from some all star Texans, performing the music of a woman who - in my eyes anyway - has always been a star. "The Best of Times" should be your gateway into some of Sara's best albums. Please support this effort.





   

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[info]linuxcub's birthday and [info]bootedintexas's birthday -- celebrate!

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[livejournal.com profile] erstexman's birthday is today!
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[livejournal.com profile] maxauburn's [livejournal.com profile] dawgspike's and [livejournal.com profile] txkink's birtha-birtha-birthday is today!
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Friday night on ABC's 20/20, while doing a story about the typical psychotic people who murder that is their new stock-in-trade, they began to talk about a case in Texas. This was the sign they used as the "location shot":




Which begs the questions: Texas Dept of Highways; Really?
And ABC Network News: Were you trying to be ironic? Really?
blackleatherbookshelf: (Default)
Lovely CreaturesCreatures on The Loose
3 Out of 5 Stars

Bob Schneider seems to be one of those unfortunately talented musicians that can't quite find the right light to stand under. He's an adult contemporary singer songwriter who avoids sappiness, but writes smart and clever love songs. He's also witty and often funny in a very derivative way, like how this "Lovely Creatures" album opens with airy put-down song, "Trash." It's peppy, it's got a good hook that kills, and it's a major put-down of love. Yet the song itself sounds like it should be romantic, despite the venomous core.

So what to make of Bob? "Lovely Creatures" is filled with such contradictions. There are songs about being burned by love that are melancholy, like "Slower Dear," yet twice here a pair of Mexican Mambo "Tarantula," about a black-widow woman that flips the rest of the album for a loop. Just for kicks, he does it again on "Bombananza." Or you can get the excellent "40 Dogs/Romeo and Juliet," which would be a huge hit in a perfect world.

If no-one else, the eclectic nature of Schneider's music reminds me of other pop singers who take the soft rock genre and bend it to their will. Artists like Duncan Sheik, Stephen Bishop and now Schneider. "Lovely Creatures" is a delightfully subversive pop record, and while I enjoy it, it's probably doomed to cult obscurity.




Lonelyland  Californian I'm Good Now
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Day 06. A song that reminds you of somewhere

No matter what, Cowboy Mouth's "Jenny Says" will always be cemented to Austin TX. The year I worked there, it was a constant presence on the radio, and outside my own playlists, I have never heard it anyplace else.



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He was a Drinking Man with a Guitar Problem
4 out of 5 Stars

James McMurtry had a brush with major label fame when his John Mellencamp produced Too Long in the Wasteland brought him attention in the early 90's. James' lyrically brusque songs echoed Mellencamp's worldview, and the McMurtry family tradition of quality wordsmithing covered the album like so much dustbowl dirt. But that attention was short lived, and CBS let James go after three albums. The roots label Sugar Hill scooped him up, and this compilation covers three albums between 1997 through 2002.

It's a good baker's dozen covering James' oft-told favorite stories; losers that have given up ("60 Acres"), the decline of the world as we know it ("No More Buffalo") and those that wrestle with our inner demons (the amazing "Choctaw Bingo"). These are not 'feel-good' songs, pointed out bluntly by the first song's family-infight over grandma's farm and the will the family squabbles over in "60 Acres."

Glory glory, Hallelujah,
Right back at'cha, don't she look natural.
Don't look at me like there's something growing out of my head!
Just 'cause that old bird's dead."

There's the alcoholic trying to regain control right after in "Every Little Bit Counts," and the dry delivery to "Broken Bed" underscores the pain of the singer's romantic break-up. And when the occasion calls for it, he can turn a phrase with the best of them, like "Fast as I Can's" tale of "a drinking man with a guitar problem."

While the political detonation that occurred on 2005's Childish Things "We Can't Make it Here" had yet to reach its flash-point, "The Best Of The Sugar Hill Years" presents a rootsy singer with a hard-boiled journalist's eye. James McMurtry belongs in the same company as Steve Earle, Don Henley and Mellencamp. This is a great place to make a discovery, then go back for more.

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