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A State of Thermodynamic Equilibrium
4 Out Of 5 Stars

Muse waste no time on album #6 in going right for the pomp. "Supremacy" kicks off "The 2nd Law" like some expectation of a James Bond film theme, incorporating a movie-like riff and building into a cinematic overthrow of anything else that may follow. But that's Muse. If it's worth doing, it's worth overdoing. Which is a main part of the band's charm.

Queenly pompous and football stadium huge, Muse are one of the few bands that currently play it on a large scale. Take the exaggerated funk of "Panic Station," a dead ringer for Queen's "Fun It," or the upward crescendo of their contribution to the 2012 Olympics, the monumental "Survival" (which is self important enough to have its own prelude). Spiraling up to a mammoth cascade of vocal overlays and epic anthem guitars, it was a fitting song to play over Olympian triumphs.

New to the band is the stepping out of bass player Chris Wolstenholme, who tries his hand at singing and songwriting in place of main man Matthew Bellamy. On "Save Me" and "Liquid State," which provide a break to Muse's usual sledgehammer approach. "Liquid State" is the more driven of the pair, which then leads into the band's set of prog numbers, "The 2nd Law: Unsustainable" and "The 2nd Law: Isolated System." Not since Alan Parsons has a band attempted to go this grand; who else would try a duo of songs based on the Second Law of Thermodynamics? (The entropy of an isolated system never decreases, because isolated systems spontaneously evolve towards thermodynamic equilibrium--the state of maximum entropy - thanks Wikipedia.)

Loaded with stings, horns and choral effects, it's the sound of ambition pole vaulting into classic rock territory. Parsons would be proud of his prodigies in this case, although I bet a lot of fans will be confused. Me, I usually like when one of my favorite bands tries to get their rocks off doing something against the grain. Be it the electronics of "Madness" or the theater of "The Second Law," Muse delivers on their promise to not be run-of-the-mill.




     

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This song and video blow my mind: Muse for the 2012 Olympics. This might just be my favorite, inspirational song of 2012.
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Day 30. Your favorite song at this time last year.



Still can't get enough of this band.
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One day download Sale on Amazon

 

Origin Of Symmetry

Today only $2.99!


 
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These are my faves since 2000; Dig them crazy beats!

Radiohead - "Kid A" - 2000 - Thom Yorke and company shatter all expectations by starting the century with a record of shimmering ambience. It's almost 10 years old and I can still groove to this.

Alice Cooper - "Dragontown" - 2000 - The Coop is still making decent albums, but this one stands up with his best 80's material.

R.E.M. - "Reveal" - 2001 - I turned to this one over and over in a year when I needed healing, "I'll Take The Rain" still makes me cry.

Rufus Wainwright - "Poses" - 2001 - His fragility is focused on this, his best album.

Elton John - "Songs From The West Coast" - 2001 - Elton entered the new century with his most autobiographical album since captain fantastic, and the one of the few to really address his sexuality.

Johnny Cash - "The Man Comes Around/American IV" - 2002 - We were on the brink of losing Johnny Cash, and he knew it as well. The naked emotion with his cover of Nine Inch Nails' "Hurt" said it all.

Bruce Springsteen - "The Rising" - 2002 - When America needed an album to help heal the wounds of 9/11, Springsteen came through with one of his all-time bests.

Green Day - "American Idiot" - 2004 - The return of the rock opera, and the return of major bands making political staements when many were terrified of doing so.

Iron and Wine - "Our Endless Numbered Days" - 2004 - Sam Beam can calm you no matter how frazzled you may be.

The Killers - "Hot Fuss" - 2004 - And so the 80's revivalists begin to bang down the door.

Jill Sobule - "Underdog Victorious" - 2004 - Clever and witty, smart and poppy, Jill combines her folkish playing with the riff from "Saturday In The Park" to create the fabulous "Cinnamon Park."

U2 - "How To Dismantle an Atomic Bomb" - 2004 - In which the world's greatest rock band decides it is perfectly ok to play like you are the world's greatest rock band. (Which they promptly forgot one album later.)

Bright Eyes - "I'm Wide Awake It's Morning" - 2005 - The return of folk as a lyric driven form of music. IMHO, his best work.

Mark Weigle - "Soulsex" - 2005 - A double disc set from the out singer-songwriter. But the big surprise is disc 2, subtitled "Versatile," which is an entire album dealing with man on man sex (and I did not say relationships, I said Sex. With a capital S). Stunning stuff, and as far as I am concerned, an absolute must own.

Rosanne Cash - "Black Cadillac" - 2006 - Rosanne channels the loss of her father and June Carter into her music. Her best to date.

Muse - "Black Holes and Revelations" - 2006 - This three peice Britsh group have become one of my favorite rock bands, and this album breaks them away from the imitations and into their own, recognizable entity.

Slaid Cleves - "Unsung" - 2007 - Slaid is my favorite folk singer, bar none. Here he applies his considerable skills to songs by artists that he admires.

The Hives - "Black and White Album" - 2007 - Finally capturing these Swedes and their kinetic energy. "Tick Tick Boom" should have made them superstars.

White Stripes - "Icky Thump" - 2007 - I like my Jack White loud and high strung. The title track to this album encapsulates the history of Led Zepplin in one song.

Coldplay - "Viva la Vida" - 2008 - Finally distilling their sound to well produced, melodic chunks, this is my favorite of Coldplay's decade.

Panic at The Disco - "Pretty. Odd." - 2008 - Say what you will, but I am a total sucker for any band that successfully mines the Beatles or Queen for their sound, PatD did just that on their second album...then promptly broke up.

Elvis Costello - "Sacred Profane and Sugarcane" - 2009 - When Elvis teams up with T-Bone Burnette, they make folkish magic.
 

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