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The Curse of John Ritter
3 Out Of 5 Stars

There are fans of literary type singer songwriters. Trouble is, they are few and far between, and tend to work a vociferous cult that falls in love with what you;re creating, while the rest of the world sits by in sonic indifference. Josh Ritter is that kind of guy. Rivaling Bob Dylan and Bruce Springsteen for intricate wordplay and Conor Oberst (of Bright Eyes) for slavishly devoted fans, all while giving his soft spoken voice room to trip and trickle around his songs.

His 2010 CD "So Runs The World Away" maintains that superb quality. Be it the travels of the ageless Pharaoh aboard a cruise to America ("The Curse") or the sly humor of the distorted "The Remnant," Ritter juggles folk idioms like few others save for Iron and Wine and Bright Eyes. Nowhere is this more in evidence than "Folk Bloodbath," which pulls Stagger Lee, Louis Collins, Delia and Judge Hanging Billy Lyons into one scenario where, ultimately, the pursuit of Delia brings them together. And, ultimately, "the angels lay them away." For those who wonder why I am okay with a Dylan comparison in Ritter's, case, download "So Runs The World Away" and start there.




   



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Riding in Victorious 
4 Out Of 5 Stars

Josh Ritter pulls off a neat trick on "The Historical Conquests." His earliest work drew the usual Dylan/Springsteen comparisons of literate singer songwriters. On this album, his fourth, Ritter brings in the rock and keeps the comparisons coming, while drawing in more. At some points on the album, I kept thinking of English wits like Nick Lowe and Elvis Costello. It happened for me on "The Temptation of Adam," which contemplates being the man who has to decide the fate of the planet (or as he puts it, "w w i i i"). It's the peak moment of "Conquests," and moves Ritter to a high plain of songwriters.

The rest of the CD is pretty darn good, but never matches "Adam" in originality or cleverness. Ritter makes a good Dylan on the opener, "To The Dogs or Whoever," where the lines spit out in machine gun rapidity, or "Empty Heart," which could be a pop single. The sense of humor pops up again on "Next To The Last True Romantic." "The Historical Conquests of Josh Ritter" is another collection that moves Ritter foreword progressively as an artist.


   

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