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There's More Than One Way to Roll a Stone
5 Out Of 5 Stars

For the third CD in their "All Wood And..." series, singer songwriter James Lee Stanley teams up with past collaborator John Batdorf and takes another dip in the deep well of Mick Jagger/Keith Richards compositions. The previous effort, "All Wood and Doors" (James with Cliff Eberhardt) was so well conceived that Doors members John Densmore and Robby Krieger pitched in on the effort, and while Keith and Mick didn't join in the proceedings, "All Wood and Stones II" is done with the same amount of respect as James and John did on the previous effort.

What happens here is that James and John take songs you've heard a million times over and turn them inside out, folk-wise. That's not to say that you'll never recognize what songs are here, but you will notice some angles that you may not have before. "Get Off Of My Cloud" still has the playful call and response Hey! You! hook, but it still sports a neatly strummed arrangement. "Honky Tonk Woman" sounds more like an actual honky-tonk song. These are sung primarily by John, whose rough hewn voice nicely compliments James' clearer sound. It makes for some terrific harmonizing ("Time is On My Side").

My favorite is when they do a total reconstruction on the 1978 disco thumper, "Miss You." Slowed down and minus the dance beat, "Miss You" becomes a bluesier lament for an absent lover. Interestingly enough, the other song arrangement that I enjoy also comes from "Some Girls," Richards' personal recounting of his drug misadventures with the law, "Before They Make Me Run." In my opinion, it's the biggest surprise on "All Wood and Stones II." It's worth making it a two-pack with 2005's "All Wood and Stones."


     


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In the glow of the radio dashboard
4 Out Of 5 Stars

James Lee Stanley is a fine and prolific singer-songwriter whose career has something of a cult success among some very rabid fans. "Midnight Radio" was released in 1980 and leans to the kind of smooth adult contemporary sound of the day. You'll pick up the vibe from guests like Bonnie Raitt (guitar on "Born To Love You") and Stephen Bishop, who co-wrote a pair of songs with James for the album.

To also get a hint of how his talent reaches out to others, noted author Tom Robbins co-wrote "Even Cowgirls Get The Blues," after his book (and this was before k.d. lang some years later). The song may be the best one on "Midnight Radio," enough so that when the album got lost in record company politics, James resurrected it for a later album. James has a smooth vocal delivery that can go for the jugular when he wants to get personal, like the forceful "In Your Pocket." For the most part though, James goes easy on the ears. "Midnight Radio," after being out of print for several years, makes a welcome return. Fans of mellow James Taylor or Gordon Lightfoot will enjoy this.



     



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