Jun. 10th, 2013

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Did it really need to be saved in the first place?
3 Out Of 5 Stars

Fall Out Boy proclaim their mission. That mission? "Save Rock and Roll." This after a long stagnant period where the band had allegedly broken up, lead singer Patrick Stump had his solo album, and Fall Out Boy seemed dead and buried. Not so, as they claim in the first song. "I'll fix you like a remix then raise you like a Phoenix," Stump yelps over the usual bombast and distorted pop that enjoys a current vogue.

Which is what frustrates me about "Save Rock and Roll." FOB's albums were pastiches of rock and pop elements that rang clear as a bell and had seemingly endless energy. Main songwriter Pete Wentz seemed to groove on Michael Jackson and The Rolling Stones in equal measure, especially on their best album, "Infinity On High." Despite the album's title, rock and roll is surprisingly absent from the music overall. It's more pop and elements of hip-hop, closer to Stump's solo "Soul Punk" than a FOB album. They also succumb to the loudness wars; "Save Rock and Roll" is compressed within an inch of its life. The mix is so bricked up that it's enough to fatigue your ears.

There are highlights, like "Phoenix," the lead single "My Songs Know What You Did In The Dark" and the title track, which features a fine appearance by Elton John. FOB also lured Courtney Love to scream a few times on "Rat A Tat," Foxes (whoever she is) on "Just One Yesterday" and rapper Big Sean for the OK "The Mighty Fall." Guest appearances are fine to broaden an album's palette, and frankly Elton's appearance makes "Save Rock and Roll" a better song than it probably would be without him. That doesn't rescue "Save Rock and Roll" from its homogeneity or the blatant fact that the band has done much better. For all the heroic bravura in its title, "Save Rock and Roll" is merely average.



     

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geometrician's birthday is today!
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Joel and I paid a visit to Albany to see little Shoham and Advah (who just turned 3 - where is the time going)? We went to see "Annie Jr," a truncated version of "Annie" that runs for barely an hour and features a cast of 6 - 8 year olds. Adorable.


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All the Best, Remastered and Remembered
5 Out Of 5 Stars

What this "Best of Simon and Garfunkel" collection does is, simply, lay out all their amazing singles on one hour-plus CD. It outshines the original "Greatest Hits" by not overlapping songs and by having a much improved quality of sound. Sure, you've probably heard half (or more) of the songs in high rotation on classic pop radio stations, but hearing them in digital clarity really does - and I hate to use the cliche here - bring them back to life.

More than anything else, the best of these singles highlights the exquisite harmonies these men had together as well as spotlights the strengths of Paul Simon's and Art Garfunkel's singular voices. Garfunkel's young, angelic choirboy voice still elicits chills on "Bridge Over Troubled Water," while Simon's leads often show a potency that can be unexpectedly forceful ("Hazy Shade Of Winter"). Yet they are still at their best when the voices blend as they do so beautifully on "Scarborough Fair" or the 70's reunion hit "My Little Town."

The non-hits work in the collection's favor. Short of buying the complete collection box set, the pickings here are choice. "The Only Living Boy in New York," "Old Friends/Bookends" (the song they opened their concert with when I saw them a few years back) or the live version of "For Emily, Wherever I May Find Her" will please the curious who are looking for more than just the hits. Some of the songs are a bit goofy/dated ("At The Zoo" and "The 59th Street Bridge Song"), but they can be forgiven when something as magnificent as "The Boxer" or as joyous as "Cecelia" play. For the value per dollar, "The Best of Simon & Garfunkel" is as good as you're going to get.


     


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