2013-04-23

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2013-04-23 02:25 am

My Amazon Reviews: Tears For Fears "Shout: The Very Best Of Tears For Fears"

Who wants to rule the world?
4 Out Of 5 Stars

Tears for Fears wanted to be a deep band even as they formed. The took their named from Arthur Janov's primal scream therapy, both "The Hurting" and "Songs From The Big Chair" were derived from each members therapy sessions, and they specialized in darker, mysterious themes, that is, until the uncharacteristically trippy "The Seeds of Love." Either way, the duo of Roland Orzabal and Curt Smith had more going on than the average synthed out pairing.

"Shout: The Very Best Of Tears For Fears" succinctly gathers songs from the pair's four albums, along with a batch of non-LP singles. (A quick note, the CD "Elemental" was essentially a Roland Orzabal solo album, but two tracks are included here.) The best of these singles were unavoidable in the mid-80's, like "Everybody Wants To Rule The World" and "Shout" from the "Big Chair" CD. They'd experiment with soul ("Woman In Chains" with Oleta Adams) and a new recording of "I Believe." The early songs convey energy, like "Change" or the remix of "Mother's Talk." But more often than not, Tears For Fears was into creating dreamy melodies that suggested transforming from hurting to healing to transcending.

The non album cuts include "New Star" from the soundtrack to "Threesome," "Laid So Low," a holdover from a previous Greatest Hits, along with some revamping of singles (like "Mother's Talk"). Even the weaker tracks hold up in the context of Tears For Fears overall recording style, which grew more organic with each album. "Shout: The Very Best Of Tears For Fears" is both a solid representation of the band, but a recognition of the kind of quality music that came from the best of the 80's synth bands.


     

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2013-04-23 10:52 pm

My Amazon Reviews: New England "Walking Wild"

Walking Wild, Heavy Style
4 Out Of 5 Stars

Back in 1981, I had the distinct pleasure of interviewing New England's lead singer John Fannon for my college radio station as we sponsored a "Week in New England" promotion for "Walking Wild." The finale was a 100 yard Wild Walk race, with the winner getting a Sony Walkman (a cool prize back then) and copies of "Walking Wild" on cassette to groove on. John was an amicable interview and even complimented me on having knowledge of the band and decent questions prepared for our chat.

So I have a certain amount of nostalgia involved with "Walking Wild." While it is my personal favorite New England album, it's probably not the most representative work of the band. ("Explorer Suite" claims that title.) The person to point the finger of circumstance at is producer Todd Rundgren, who helped the band whip "Walking Wild" together in less than a month. He stripped a lot of the layered production of the first two albums away and turned the album into a leaner and tougher record.

There are moments when Todd's hand weighs in very heavy, making New England sound like a fantastic Utopia cover band. Nowhere is that more apparent than in the album's first single, a goofy hook feast called "DDT." Short for "Dirty Dream Tonight," it steams away with a barreling piano, thick harmony and an insta-catchy chorus. This really should have been the band's breakout single, but maybe it was a little too risque for the moment.

The sound New England is better known for shines through in the lush ballad "Love's Up In The Air" and the progressive synths of "Get It Up." The rockers (the title cut and "She's Gonna Tear You Apart") are the kind of arena rock you'd probably peg right-off as 80's music. There's also a great rock-rebel lyric line in the opening track that states "he looks good, he feels good, he's fashionably mad." When I asked John Fannon what that meant, he replied that "it feels good to be a little crazy sometimes. It's hip to be a little mad." "Walking Wild" was New England's last big crazy swipe at the brass ring, and they went for it with all guns blazing.


 


     

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